什么是韦罗内塞

Veronese, Paolo，原名保罗.卡里雅利（Paolo Caliari）。

义大利画家。幼时随父亲学习石匠技艺，十四岁当画家学徒。在威尼斯接受了许多委托绘画的工作，後成为16世纪威尼斯画派的主要画家和着名的色彩大师。韦罗内塞擅长以富有生气的华美色彩装饰贵族宫廷和别墅。在繁复的威尼斯建筑内部，他的壁画精确地按透视交错安置人物和景致，与建筑形成极有节奏的整体。如为玛莎尔别墅的蓝色天顶所画的优美风景衬托着神话人物，强调了别墅设计者帕拉弟奥的和谐韵律。他的大型作品，如《迦拿的婚宴》、《大流士全家在亚历山大面前》，《最後的晚餐》（1573）因其富丽堂皇和生动的写实情节引起了宗教法庭的愤慨，受到传讯。其同时代以及以後许多世纪的画家，都从他运用色彩表达丰富语言的作风获得启发并以之作为楷模。

1528～1588年

Veronese, Paolo

Italian painter. Son of a stonecutter from Verona (the source of his nickname), he was apprenticed at 13 to a painter. After 1553, when he received the first of many commissions in Venice, he became a major painter of the 16th-century Venetian school, known for his splendid use of color and pageantlike compositions. His first works in Venice, ceiling paintings for the Doges' Palace, employ skillful foreshortenings that make figures appear to be floating in space. He decorated the villas and palaces of the Venetian nobility and received many commissions for frescoes, altarpieces, and devotional paintings, including numerous “suppers” (e.g., The Pilgrims of Emmaus and Feast in the House of the Pharisees) that allowed him to compose large groups of figures in architectural settings. In decorating a villa built by Palladio at Maser (c. 1561), he brilliantly interpreted its architectural structure, breaking through the walls with illusionistic landscapes and opening the ceilings to blue skies with figures from classical mythology. Whimsical details in his Last Supper (commissioned 1573) caused him to be summoned before the Inquisition. Painters from the 16th century on were inspired by his use of color to express exuberance as well as to model form.