机器人总动员观后感

此时的地球如果能够用一个词来形容的话，那便是满目疮痍了。在经历了人类无限制的开发之后，这里已经没有了绿色，海洋不再是生命的源头，更像是生命的禁区。

整个世界一片废墟，垃圾满盈，人类也早已脱离了此地——曾经的生命摇篮。地球上每日似乎只有一个活跃的身影，他就是瓦力。一个清理垃圾的机器人。他所做的便是日复一日的，用自己的身体把垃圾规矩成矩形，然后再一排一排的堆叠起来。这样的工作纵使是日复一日，年复一年，看起来仍是没有尽头，当然只要有电，瓦力就会不断的干下去，看上去故事就会沿着这样的顺序发展下去，但一切的一切似乎都拥有转机。就像在这个毫无生命力可言的星球上一样，即使没有绿色，即使不复海洋，但是，这里太阳照常升起。《机器人人总动员》讲述的便是这样一个故事。



作文：机器人总动员观后感

保护环境，爱护家园

——《机器人总动员》观后感

《机器人总动员》是一部没有多少台词，却非常值得看的影片！一部相当好的动画片。

故事要从2700年说起，话说人类依靠自己的小脑袋瓜发明了各种各样的机器设备电子产品，为他们提供各种生活服务，譬如，如果你饿了，就喊大饼子，吱吱……大饼子就被运到你身边了.再来杯永和豆浆,马上一杯热乎乎的永和豆浆就在你眼前了。从此过上了衣食无忧的生活。缺乏运动的人类都成了胖墩,下半生只能在轮椅上度过了,在轮椅上发出各种指令操纵机器人,由于人类制造垃圾太多,太快,大自然都来不及消化,最后垃圾越来越多,导致了地球难以继续生存,人类只好整体迁移到外太空,生活在飞船上,但是地球上的垃圾咋整呢?他们就制造了很多很多的垃圾清理员机器人,留在地球上处理垃圾,但是垃圾太多,机器人们都被累残废了,但是其中一个叫“瓦利”的机器人,他就像《士兵突击》中的许三多一样凭着“不抛弃，不放弃”的理念，兢兢业业，勤勤恳恳的处理垃圾，把人类扔的好多可以用的东西拿回去用。又过了很久，人类又派来了一个机器人－－伊娃。她是来地球上寻找生命的，在瓦力的帮助下，他们找到了一株小草，伊娃带着瓦力和小草来到了人类的太空飞船上。船长看到小草，非常高兴，决定带领人类回到地球上去，可是却被两个坏机器人关了起来。在伊娃和瓦力的帮助下，船长被救了出来，打败了坏机器人。人类终于回到了蔚蓝色的地球，重新开始了美好的生活。

电影《机器人总动员》主题极为丰富，因为看完后观众会发现这部片子是动画片，又像科幻片，还像是个爱情故事，又有点环保教育片的味道。主题的充实与多样促使了这部电影留给观众更多遐想的空间。

这部戏虽然讲瓦利和一文之间的故事，以一两个机器人间的情感戏为主，他们的感情打动了观众。，除了他们的故事，这部影片还要渗透最重要的环保意识，片子是以垃圾为背景展开描述的，开场垃圾堆积的像大厦一样高，一栋栋的竖立在废弃的大厦旁边……看到这样的画面，所有的这一切是由于人类肆意破坏生态环境造成的，发人深省。在我们日常生活中，我们不能仅4把环保喊成一句口号，更重要的是体现在行动上。不乱扔垃圾，不浪费不可再生资源，不砍伐树木……也要设法去培养下一代保护环境的习惯，让地球可以为人类终身服务，直至永远……

《机器人总动员》观后感五篇

《机器人总动员》这是一篇关于环境保护的灾难片，下面是的我为你们整理的文章，希望你们能够喜欢

《机器人总动员》观后感

因为有你的存在

我的世界充满了希望

因为有你

我对明天充满了爱

那么一段不起眼的爱情在心目中铸就了爱

有了它的完美

一切如醒不了的梦

突然地

你离我悄然而

真的希望很静很静地离

对那些不适合在一起的东西

我是不是该选择放弃

在放弃时

因为你我还需要勇气

《机器人总动员》观后感

片中有两个主角瓦力和夏娃，他们是两个机器人。片中用夸张手法塑造了保护环境的重要性，已经如果整天衣来伸手饭来张口的日子，将会早就一群一事无成的人。

片中着重说了绿色的重要和人们对它的依赖，告诉我们保护环境的重要性。

《机器人总动员》观后感

如果地球因人懒不爱护自然环境。人类只依靠现代机器帮助自己生活。不活动最后连路都站不起来。人类也要保护自然环境不乱扔辣椒不能让地球成垃圾世界。人也需要爱。爱包括很多，爱心是人类生存在世上必不可少的一种爱。人类要多 植树少污染空气。让世界成为绿色之间。

《机器人总动员》观后感

看完了这部电影，我深有感触：一部关于保护的电影，讲述了一个机器的生活和他经历的事。告诉我们要保护环境，不能破坏我们生活的环境，要保护我们生活的环境。如果滥砍乱伐，我们就会失植物，失我们生活的地方，失动物，破坏了生态平衡，导致我们失生活，变得懒惰。因此我们要保护环境，植树造林，热爱生命和生活。

《机器人总动员》观后感

看了这场电影后，我明白了环境的重要性。如果我们一而再再而三的破坏环境，那么700年后的地球将是一片废墟，所以从现在开始，我们应该学会保护环境，爱护地球。除了保护环境后，我们还要做到锻炼身体，使自己健健康康，不受肥胖的折磨，不受因胖而导致的工作、学习、生活的限制。为了我们美好的生活，为了我们美好的明天，让我们携手一起共创美好的明天!

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机器人总动员英语观后感

1Who says popular films are not and cannot be art? If anything is proof that popular films can be of a stunningly high quality, the beauty of the animation, writing, music, and sound design in "WALL·E" is it. "WALL·E" eclipses even Andrew Stanton's "Toy Story" and "Toy Story 2" in the Pixar pantheon, is perhaps Pixar's best film to date and, call me crazy as I've just seen it, a contender for the title of best animated film, period.

"WALL·E" is everything we've come to expect from Pixar and more- colorful, vibrant, imaginative, exciting, involving, beautiful, and most importantly a film with interesting, involving characters. Sure, WALL·E is adorable, and as much credit as the animators get for that, this film would be nothing without Stanton's screenplay, which features very little dialogue but is still notably intelligent and surprisingly subtle, making a refreshing change from the 'go green' campaigns we're all so used to. Does "WALL·E" have a message? Sure, but it's an important message and it is delivered subtly and beautifully.

"WALL·E" operates on two levels (and works spectacularly well on both). It is a majestic science fiction epic like we haven't seen in a couple of decades and it is a genuinely touching and never cheap romance. "WALL·E" will never get points for originality but it doesn't exactly need them because the homages to great films and figures of the past- Chaplin, Keaton, Tati, the Marx Brothers, "2001: A Space Odyssey" (this one is particularly spectacular), "Close Encounters of the Third Kind" are actually homages and not ripoffs. "WALL·E" is a wonderful tribute to a bygone cinematic tradition (well, two or three of them actually).

The social commentary in "WALL·E" is sobering because it's never overbearing and most importantly because we see the world through machines, machines who feel more about Earth and life than the humans do. The depiction of humans on the ship could have been incredibly offensive, cheap, and tasteless in concept but the execution here is absolutely perfect.

What is most surprising about "WALL·E" is how sad it is. Not even in the 'how will they get out of this, oh I feel so sorry for them' way "Finding Nemo", a previous Stanton effort, is, but in a truly melancholy sense. The early portion of the film maintains all the playfulness of a Jacques Tati film but also evokes a striking and powerful feeling of loneliness. It's a brilliant introduction to WALL·E, given that the rest of the film is too wacky to bother with long scenes focused entirely on character, and works beautifully with the ugly yet beautifully-rendered future Earth, a barren wasteland filled with nothing but garbage, a seriously resilient cockroach being WALL·E's only companion before EVE shows up, but I won't go into the story- it's best you see it unfold for yourself.

From the entertaining shorts shown before the film to the memorable characters, locations, and animation we have come to expect, Pixar films are now event cinema, and they have outdone themselves with "WALL·E". This film is spectacular, majestic, touching, involving, and achingly beautiful. Most importantly, however, it is perfect entertainment. I may be saying this too soon, but I don't think I have ever seen an animated film that has satisfied me more than "WALL·E", and 2008 is going to have to work hard to keep this from being the top film of the year, which it most certainly is at the moment.

-E, Pixar's latest film, is about a robot named WALL-E (or 'Waste Allocation Load Lifter, Earth-Class'), who is the only thing left on earth with some sort of emotion. He meets another robot named EVE, and the trip begins.

It's hard to describe in words how incredible I personally find this film.

The animation is flawless. Absolutely flawless. Especially on earth and the robots. It looks real. Much of the time it's impossible to tell whether or not it is real. The few slightly-shaky styled shots that appear a few times in the film only makes the animation that much more amazing and realistic. The humans are really good, too, while not realistic in the sense of you seeing it right now in real life, but they do have a realistic feel to them. The thing with the humans, I believe, is that they were purposefully meant to have this slightly rounded, slightly unrealistic feeling.

I believe the reason is to take a satirical look at humans, and what our goals for a future, perfect utopia, is. It questions what we want, and shows you what is a very, very likely outcome of our desires for a 'better' world, showing both positive and negative effects. The animation for the humans, I believe, was made rounded and slightly more cartoonish to emphasize that that is how we will become. Fat, lazy, yet so perfect. At times, especially with that perspective on the humans, they actually do look very real.

The story is brilliant. There are many little things in the film that have so much meaning to them. There are things that will be nostalgic to older viewers, and things that younger viewers will love to look at. However, it does steer for the cheesy, cliché aspects of a child's film, yet still remaining a completely G-rated film.

I don't call this a child's film at all. Not because it has adult material, because it doesn't. I say this because the film is perfect for everyone. Literally, everyone. There are things in it every person can enjoy, no matter who they are. It has obvious homages to Stanley Kubrick's "2001: A Space Odyssey", and any adult who remembers seeing that film will notice this.

WALL-E is such a lovable character. I've never felt so much emotion for one character. He will definitely go down in history as iconic as Darth Vader, or Indiana Jones. I was so close to crying at pivotal parts in the film, and although I didn't fully break out and cry, I have never felt so much emotion in my heart with any other film as I did with this one.

EVE is very fun and interesting. One scene in particular, with her, was so beautiful, that my eyes got teary. Her chemistry with WALL-E is so oddly perfect. They are so different in appearance and personality, yet they work so well together.

The other robots are all lovable, except for the "enemy" robots, who still add much depth to the film. In particular, M-O was the cutest, obviously not counting WALL-E.

Pixar has always made great animation films. But this, without a doubt, tops all of their own film, and most other films. It restores faith in the animation films. It captures the magic and wonder as past Disney films, which is something I have not seen in most modern animation films.

I would not be surprised at all if this won for best picture of the year. It deserves it more than anything.

This is one of greatest achievements in cinematic history, and I encourage everyone to see this.